Salon des Refusés
April 1 – July 2, 2022
Artist Reception April 1, 2022 from 6-8pm.
We are excited to have this exhibit to bring artists from coast to coast to the heart of America.
In French painting, the term “Salon des Refusés” refers to an art exhibition held in Paris, in 1863, to show paintings that had been rejected by the selection committee of the “Paris Salon” – the official annual showcase of French art. (Note: the French Academy remained the organizers of the annual Salon exhibition, artworks for which were approved or rejected by a jury or committee of reputable, usually conservative, artists, typically drawn from members of the Academy. Since the Academy was the traditional champion of the orthodox style of painting and sculpture known as “Academic Art” – the majority of the jury tended to vote against any artwork which was in the least bit unconventional. Both subject matter and style were judged by the selection jury. Subjects were ranked according to an official Hierarchy of Genres, and lower ranked genres were regarded less favorably. Please see also: Painting Genres. In terms of style, the Academy expected idealized, true-to-life realist painting with all traces of brushwork erased leaving a polished finish. A rejected painting might be very bad news for an artist, since the Salon show provided the only opportunity in the French arts calendar for him to display his works to art collectors and dealers, as well as art critics and writers.
Exhibition of Rejected Art (1863)
In 1863, so many paintings had been rejected by the Salon selection jury (fewer than 2,218 pictures out of a total of over 5,000 were accepted) and so many artists protested, that Emperor Napoleon III, (ever sensitive to public opinion), ordered a new exhibition to be organized – dubbed the “Salon des Refusés” (Exhibition of Rejected Art) – in order to display all the paintings and sculptures that had been refused admission to the Salon, so as to allow the public to judge the merits of these works for themselves.
The exhibition program for the Salon des Refusés lists 780 works by 64 sculptors and 366 painters, along with a small number of printmakers and architects. Famous painters whose works were shown, included: Edouard Manet (1832-83), Gustave Courbet (1819-77), Paul Cezanne (1839-1906), Camille Pissarro (1830-1903), Johan Jongkind (1819-1891), James Whistler (1834-1903) and Henri Fantin-Latour (1836-1904).
Why was the Salon des Refusés So Important?
Three reasons. (1) Because it undermined the infallibility of the French Academy and, by implication, Academic art across Europe. (2) Because it highlighted the need for alternative “unofficial” exhibitions, to prevent highly conservative academic bodies from dominating both aesthetics and public taste in art. (3) Because, to a great extent, it legitimized the newly emerging forms of avant-garde art, and paved the way for the even more shocking style of “Impressionism”, which its exponents unleashed on Paris in 1874, in a series of independently organized exhibitions (1874-84).
HONORABLE MENTIONS
This exhibit also includes the works of the following artists from coast to coast;
Maria Bennett Hock
Cathy Locke
Margaret Pagoria
Lizzy Martinez
Jean Benvenuto
Martin Keey
Acquieta Williams
Gayle Madeira
Lisa Botto Lee
Carol Blum
Lake Roberson Newton
Cathy Abramson
Jade Olson
Eric Millikin
Ellen Maidman-Tanner
Nicole Cooper
Beau Lasiewicz
Lisa Rickard
Regina Jean
Deann De La Ronde
Gerhardt P. Miller
Bri Wenke
Stephen Spiller
John Decker
Thomas Moberg
Symmes Gardner
Sarah Means
Lia Ali
Lydia Wood
Joanna Popieluch
Michael Kenneth Depue
Jessica Libor
Nicole Alger
McGarren Flack
Aki Kano
Tony D. Riel
Ilona Cutts
Shawn Farley
Shannon (“Shan”) Fannin
Rebecca Antoniou
Abigail Morris
Pamela Benham
Will Ursprung
Yochi Yakir-Avin
Sara Hinke
Kay Geraghty
Marcella Gillenwater
James H. Arnold
Jeannie Hua
Pat Millin
Deanna Gibson
Mariah Kaminsky
Amy Gibson
Benji Alexander Palus
Q. Wang
Stephen Schiff
Zsófia Ötvös
Joan Diamond
Sylvia G Bandyke
Meredith Morris
Shawn Marshall
Charles Gilbert Kapsner
Shawn Sullivan
Emma Kamerer
Erin Ruffino
Lindsay Hirsch
Mark Kannenberg
Joann Milano Neal
Kathy Sletten
John Hyland
Our Mission & Vision
The Wausau Museum of Contemporary Art is a place where people from Northern Wisconsin can experience the work and ideas of artists – both living and deceased – to understand the historical, social and cultural context of the art of our time. WMOCA integrates exhibitions, performances, collections, and educational programs to excite, challenge, and enlighten our visitors.
Our vision will inspire generations of north central Wisconsin residents and visitors from throughout the nation to understand and appreciate the art of our time. We are located in the historic Wausau Club at 309 McClellan Street in the very heart of Wausau’s vibrant downtown, featuring works by nationally & internationally established artists. Our goal is to unleash our region’s creative energy and to engage a broad and diverse audience in conversation about how art connects us, allowing us to grow and thrive as a community.
This website is sponsored by
Incredible Bank &
The Horvat Family Foundation
Contact
For more information, questions or to give corporate support, please contact David Hummer at david@wmoca.org
715.298.4470
WMOCA
309 McClellan St
Wausau, WI 54403
Free and open to the public
Tue-Sat: Noon – 5